supported by 7 fans who also own “Gravel Scar (Dried Blood)”
...Yet beyond crafting four distinct atmospheres, it's the evolution of each piece, the change in seasonal sound, that makes Sallaw such an excellent piece of story-telling. Rather than shown the imagery upfront, the listener is instead guided, and left with space to explore on their own. The ability of the trio's minimal musical writing to evoke such a coherent subject is made all the more impressive by the subtlety with which it is achieved.
Full review here: http://bit.ly/2VdX4of Ambientologist
supported by 7 fans who also own “Gravel Scar (Dried Blood)”
Incredibly poised and sublime score for this very enlightening documentary. Martin is one of my favorite composers and the sounds coming from his cello are really second to none. More intelligent directors need to come along and hire Martin for their next full-length film. Lost Tribe Sound
supported by 7 fans who also own “Gravel Scar (Dried Blood)”
I'm reminded of something my grandfather Oscar told me that I never forgot. He said that he thought the cello was the only instrument that sounded the closest to a human heart...breaking. And that holds so true on this record. Thank you Aaron for your beautiful cello, as well as all the other wonderful stringed instruments. If this is the new "electro-acoustic classical" count me on board! bambilyn
William Ryan Fritch's enthralling, doomy new CD comes housed in a gorgeous, panoramic gatefold sleeve with bewitching original artwork. Bandcamp New & Notable May 16, 2016